Robben Ford Discussion

"All Blues For Jazz Guitar" by Jim Ferguson has some nice Changes in it.

Cool, thanks!

Wow, I guess it's not the actual title?

Is there a RF recording with a similer title?

Somebody asked me about this Tune, and I don't think I've heard it before.

Does anybody know if it is on a CD from Mr. Ford?
Does anybody have the Changes and/or Transcriptions? Tabs?

Thanks in ...

Hope you got something cool out of those Triad Pairs ideas.

Here's one cool Application that I like to use:

So, Cm to F7?

Try:

Eb G Bb

to

A C Eb

Or, Eb to Adim.

So, we've i ...

This is how I've approached a lot of similar musical situations. I use Triad Pairs a lot. Especially useful to me, when superimposing sounds. Here it is:

http://www.online-discussion.com/RobbenFord ...

They're working feverishly over on TGP to answer this, aren't they? Laughing

ii V

"Dorian"

Lots of roads to Rome.

Without going back to the DVD to listen, here's my first impression:

Since the Cm is the Chord Of The Moment, look to it as the "source" of these superimpositions.
If you think of Cm as ...

Anybody use a Triadic Approach to Leads?

What are some of your favorite "Moves" in this area? Pet Phrases, etc.?

Anybody got anything to share on Pentatonic uses?

Bingo! You got it, now. Rock On, Bro! Cool

I have an Amp that makes me VERY aware of every little thing I do. It's glorious/maddening at the same time.

Sometimes, I plug into a differe ...

Yeah, I was talking about a Boost Pedal in line.

Well, if the Amp is already cooking you should be good. Maybe you're expecting it to be too clean. Usually, it's still a little Hairy. Smile

...

Part of the "Clean To Mean" Volume Knob On The Guitar Thing, is having the Amp pretty cooking. Then, you keep a lot of the Volume when turning the Guitar down. But, it Clips less, and you ge ...

This would be a great time for some one to talk about Chord Functions. Like why a ii V I is so common.

If I remember correctly, I think RF is talking about using 2 or 3 of those Triads to make up some Rhythm Parts.

The basic Theory on how this works, is that C F and G are all DIATONIC to the Ke ...