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Leftbender Senior Member
Joined: 16 Jul 2003 Posts: 328 Location: The Netherlands
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Posted: Mon May 17, 2004 12:04 pm Post subject: Marshall?? |
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O.K. help me out here, guys! Last weekend I bumped into a Marshall combo that looked like a bluesbreaker (JTM45) but at a closer look turned out to be a 50 Watts master volume combo from end 70's. Usually I never pay attention to anything from Marshall because I don't like the 'fizzy' sound but the guy in the shop, who knows what I like, insisted to try it. So I did and I was knocked over by it's sound!! Definitely NOT Marshall!! After a brief examination I found out this combo carries two 6550 tubes, and two Celestion 12H- 65W speakers. The speakers I know (you guys talk about them all the time) but what about the tubes? I have experience with both 6L6 ans EL34 but these ones I don't know. The combination of tubes and speakers seems to give this amp a very vintage sound with an overdrive to die for! The guy in the shop adviced me to change the tubes for EL34, though. IS this a good idea? _________________ "Don't play what's there, play what's not there" Miles Davis |
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Aeolian Senior Member
Joined: 04 Nov 2003 Posts: 886 Location: SF Bay Area
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Posted: Mon May 17, 2004 2:08 pm Post subject: |
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Very interesting, haven't seen a two 6550 amp since the Sunn's in the early 70's. Whatever overdrive you're hearing is not coming from the output. 6550's were used in the SVT, big Sunn's and the 200W Marshall's. They are still popular with high end audiophile tube amp makers like Audio Research Corp. A pair of 6550's will give a solid 60 watts as compared to 6L6's which the old RCA tube handbook lists as 42 watts in class AB. Remember, us guitar players don't care about a few percent distortion so guitar amps often ran tubes way past their normal limits. If anything, an overdriven 6550 sounds kind of sharp. Definitely not sweet.
Most master volume Marshall's use a diode clipping circuit, which is essentially a simple fuzz box built into the amp. This accounts for the "fizzy" sound and launched all the noises you hear in the music stores today. There are some that were made with cascading tube circuits, the Boogie-to-Dumble concept we know and love. I'd suspect that the amp you found is one of these. A well done cascaded tube preamp followed by a clean and stiff output is basically the concept behind a Dumble. Saggy, distorted output sections are great for vintage amps at one volume setting, but they won't have the dynamic response of a Dumble style amp. Or be able to play at different volume settings.
This may be a real find. Imagine the look on folks faces when you get fat, sweet, dynamic sounds out of a Marshall. _________________ There are no such things as wrong notes, there's only the look on your face.
My Stuff: www.stevekirbymusic.com |
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Leftbender Senior Member
Joined: 16 Jul 2003 Posts: 328 Location: The Netherlands
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Posted: Tue May 18, 2004 12:24 am Post subject: |
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Thanks for your reply and info Aeolian! It seems I found something special. I need to take my Tele to the shop and try that out. If that sounds just as fine as I expect it does I will buy this amp. _________________ "Don't play what's there, play what's not there" Miles Davis |
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Aeolian Senior Member
Joined: 04 Nov 2003 Posts: 886 Location: SF Bay Area
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Posted: Tue May 18, 2004 1:15 am Post subject: |
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Talked to a buddy tonight who is more gear aware and knoweldgeable on Marshall's. Apparently, 6550's were not uncommon in various Marshall's over the years.
But I'd still, say, if this amp lets you get the sound you hear in your head, then that's the one. _________________ There are no such things as wrong notes, there's only the look on your face.
My Stuff: www.stevekirbymusic.com |
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diatonicdude Senior Member
Joined: 17 Jul 2003 Posts: 381 Location: Norfolk/UK
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Posted: Tue May 18, 2004 4:11 am Post subject: 6550 |
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Hi Leftbender,
the only info I know (unless I look this subject up) is that Marshall used 6550's in place of EL34's when their EL34 stocks were depleted. I believe that the USA versions of some of their amps also used 6550's as standard. This type of alternative substitute was apparently common, dictated by the manufacture of valves at the time in China & Russia. Essentially speaking, the two valves (EL34 & 6550) are intercahngable with only the slightest mod (a grid resistor change if I remember correctly!)
Infact I modified a JCM 800 to take these valves (schematic supplied direct from Marshall). perhaps the amp in question had succumbed to the same mod, reccomended by Marshall??
I got to admit I did not like the mod I tried but I have heard some warm / sweet sounding Marshal's using this arrangement. All in all, I personally do not like the Marshall sound as much now a days. i prefer boogie / Fender tonemaster / and the boutique amp sounds like Bruno.
Cheer's,
DD _________________ Music is the universal language; speak it with emotion, listen with a passion. |
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Leftbender Senior Member
Joined: 16 Jul 2003 Posts: 328 Location: The Netherlands
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Posted: Tue May 18, 2004 5:55 am Post subject: |
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Thanks for this reply DD!!
If I understand you correct it's best to leave the 6550 where they are, although here in Holland they are much more expensive as the EL34. _________________ "Don't play what's there, play what's not there" Miles Davis |
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diatonicdude Senior Member
Joined: 17 Jul 2003 Posts: 381 Location: Norfolk/UK
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Posted: Tue May 18, 2004 7:46 am Post subject: 6550's |
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It is all personal preference of course; you may like to keep the amp in its current format for the reason that it may be the actual manufactured version, therefore, perhaps it is a a rare find and more desirable in cost and tone.
Cheers,
DD _________________ Music is the universal language; speak it with emotion, listen with a passion. |
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edpesco Senior Member
Joined: 21 Jul 2003 Posts: 449 Location: Austria
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Posted: Fri May 21, 2004 11:58 am Post subject: |
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As far as I know those 6550 tubes were installed for USA Marshalls a long time instead of EL 34s because they distort much later.
ed |
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Aeolian Senior Member
Joined: 04 Nov 2003 Posts: 886 Location: SF Bay Area
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Posted: Fri May 21, 2004 1:03 pm Post subject: |
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The 6550's will be more neutral sounding too. The EL34s have more of that typical Marshall rock sound that I'm guessing isn't your cup of tea. _________________ There are no such things as wrong notes, there's only the look on your face.
My Stuff: www.stevekirbymusic.com |
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Sonarguitar Member
Joined: 23 Nov 2003 Posts: 15
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Posted: Sun May 23, 2004 9:01 am Post subject: Re: Marshall?? |
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Leftbender wrote: | O.K. help me out here, guys! Last weekend I bumped into a Marshall combo that looked like a bluesbreaker (JTM45) but at a closer look turned out to be a 50 Watts master volume combo from end 70's. Usually I never pay attention to anything from Marshall because I don't like the 'fizzy' sound but the guy in the shop, who knows what I like, insisted to try it. So I did and I was knocked over by it's sound!! Definitely NOT Marshall!! After a brief examination I found out this combo carries two 6550 tubes, and two Celestion 12H- 65W speakers. The speakers I know (you guys talk about them all the time) but what about the tubes? I have experience with both 6L6 ans EL34 but these ones I don't know. The combination of tubes and speakers seems to give this amp a very vintage sound with an overdrive to die for! The guy in the shop adviced me to change the tubes for EL34, though. IS this a good idea? |
Late '70s AND looked like a Bluesbreaker? Did this combo look more like a standard 2-12" combo from the front with NO filler panel at the top of the grill cloth? Big 'ol plastic corners held by three "brass" rivets?
Did it have master volume and one channel (two inputs)?
If so, you probably are looking at a JMP Mk II 2104 combo which uses the JMP Mk II 2204 head chassis in a combo form.
Look for "JMP" and "MkII" printed on the faceplate and backplate.
Pull the back panel and chassis off and look for the paper build identifier on the chassis. Also write down info on any chart attached (sticker) on the output transformer.
The 6550s were "standard issue" on the export models to the US. I guess they could be found either way (6550 vs. EL34) in Europe. Bigger sound, more headroom.
Nice amps at the end of my interest in Marshalls. If you don't like the printed circuit board or ever find damage to it (the traces can lift if not carefully protected from heat during any repairs or modifications), you can easily replace with a reproduction old-style board. See: www.metroamp.com for examples.
Most of the 50-watters of that era used the same printed circuit board (Marked: Marshall ST1 / iss. 202) -- this goes for the master volume AND the "4-pronger" non-master volume models like the 1987 head, 2187 combo and 2100 Lead & Bass combo. I'd look at the chassis AND circuit board BEFORE purchase to confirm model. |
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Leftbender Senior Member
Joined: 16 Jul 2003 Posts: 328 Location: The Netherlands
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Posted: Sun May 23, 2004 12:03 pm Post subject: |
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Thanks for the info Sonar! It is indeed the 2204 Combo with JMP on the front plate. It carries two Celestion G12-65's in it and it is dated '81. It sound fine for me, that's why I bought it. The Printed Circuit Board look perfect, no damage at all. It only picks up some radio frequencies at higher levels. Should be a grounding problem I guess. I think I can fix that. I bought it for $275,-. Not a bad deal I think. I have heared that this amp could have some minor mod's that sound even better. Has anyone heared of this? _________________ "Don't play what's there, play what's not there" Miles Davis |
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Sonarguitar Member
Joined: 23 Nov 2003 Posts: 15
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Posted: Sun May 23, 2004 5:10 pm Post subject: |
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Leftbender wrote: | Thanks for the info Sonar! It is indeed the 2204 Combo with JMP on the front plate. It carries two Celestion G12-65's in it and it is dated '81. It sound fine for me, that's why I bought it. The Printed Circuit Board look perfect, no damage at all. It only picks up some radio frequencies at higher levels. Should be a grounding problem I guess. I think I can fix that. I bought it for $275,-. Not a bad deal I think. I have heard that this amp could have some minor mod's that sound even better. Has anyone heard of this? |
Basically, up to the point of the 2204 head/2104 combo, the Marshall circuits were tweaked rather little. From the JTM45 & Bluesbreaker up to your amp, the differences and changes were pretty straight forward and logical to mere guitarists.
Take a look at this web site: http://www.lastwordsmusic.com/clay/marshall_circuits_101.html
You'll find something like your amp in the fourth photo down......only the photo is marked "1974 SuperLead" uses the earlier circuit board version, four inputs and it's 100-watts. Still......the same concepts and principles hold nevertheless. Small differences. Read this article and visit the sites listed at the bottom of the page.
AGAIN.....the primary consideration with your amp is CAREFULLY changing any component values on your board lest the traces lift from heat. They lift on the underside and you won't see it. You should lift and largely REMOVE the entire board to correctly service or replace components because of this......which is a ROYAL PAIN IN THE ASS!! This is why the circuit board swap to the old style looks so appealing over time to tone tweakers such as myself.
One of the rarities of these Marshall years was the 2100 Lead & Bass Combo. Loved mostly because it DIDN'T sound so much like a Marshall because it was largely and mostly wired as the 50-watt BASS head (with one or two component changes in the tone stack area different from the bass model). Still plenty of lead tones to die for but without that nasty Marshall rasp. MY FAVORITE affordable Marshall combo BTW.
The 2100 Lead & Bass used YOUR circuit board too...just without the Master Volume basically (but that doesn't really matter tonewise to the circuit). It's all about the components chosen and the wiring of those components. You are looking at everything you need pretty much in front of you. Read as many boards and seek out opinions before getting that circuit board hot for no good reason.
REMEMBER -- none of these Marshall amps of this era we compare had reverb, tremolo, effects loop or channel switching......so this leaves a rather basic circuit for you to ponder. COOL!
If you're picking up radio stations, there are some wires in that amp you might want to shield. The run from the input jacks to the first preamp tube in the back of the amp and a green wire coming off the second preamp tube to the board (maybe even the yellow wire next to it.....I can't remember).
If your're handy, you can move the yellow and green wires coming from the second preamp tube to the board and amazingly the amp can get quieter and get far less radio interference. Yes.....use a wooden chop stick and lift and relocate a bit.....a little up.....a little to the right....whatever. You'll hear the noise and hum coming and going as you do this. (OR HAVE YOUR TECH DO THIS BECAUSE THE AMP HAS TO BE ON!). Shielding accomplishes this without actual location being so important. You amp might have sounded fine years ago, but these wires move over time.....so shield them or simply move them to their optimal location again. Techs shield......Marshall purists simply move them a bit. |
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Leftbender Senior Member
Joined: 16 Jul 2003 Posts: 328 Location: The Netherlands
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Posted: Sun May 23, 2004 10:48 pm Post subject: |
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Well, what can I say Sonar. You seem to be a tweaker yourself! The info you gave me is very valueable. Thanks a lot! I studied electronics back in my schooldays but Tube technology is before my time. I'm quite capable to tweak any tube amp because I have the skills, but it's much different then I'm used to. Still I like the simplicity and solid designs a lot. I't still amazes me that you can achieve a great sound with hardly any components! This Marshall is indeed very basic. That's the way I like them! I find the printed circuitboard a disadvantage, but I'll live with it. So perhaps I will tweak this amp, after I kill those radio stations! _________________ "Don't play what's there, play what's not there" Miles Davis |
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